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Zoltan Glass Photographs Digitized - Web Exclusive

Jul 31, 2009
Eurp_0907_01_z+glass_photo+race_car Photo 1/3   |   Zoltan Glass Photographs Digitized - Web Exclusive

The National Media Museum in Bradford, UK, is in the process of raising a photographic treasure. The project, which aims to scan a large proportion of the photographs housed in the Zoltan Glass archive, will systematically catalog the work of the artist, whose creative periods came in the 1930s and 1950s, and to make them accessible in digital format.

The Bradford collection numbers around 6,000 images in total; the work is scheduled for completion in April 2010.

Eurp_0907_03_z+glass_photo+mercedes_benz Photo 2/3   |   Zoltan Glass Photographs Digitized - Web Exclusive

Zoltan Glass was one of the great photographers of the 20th century - and automobiles were among his favorite subjects. During the '20s and '30s he was also commissioned by Daimler-Benz to take many photographs of Mercedes-Benz vehicles. Glass, for example, documented the period of the classic Silver Arrows, the cars that dominated international grand prix racing from 1934 onwards.

He also turned his skills to photographing the brand's production vehicles for publicity material. He could turn ostensibly uninspiring subjects, such as Mercedes-Benz vehicle production, into aesthetically pleasing images.

Eurp_0907_02_z+glass_photo+car_on_crane Photo 3/3   |   Zoltan Glass Photographs Digitized - Web Exclusive

After the death of Zoltan Glass in 1981, his photographic legacy was acquired by the National Media Museum, which houses one of Europe's most important photographic collections.

At the instigation of Daimler AG, his work is now being cataloged and digitized. The project also involves feeding the original photograph captions into the database and reproducing the images in their original sequence. The process makes use of state-of-the-art technology, which enables the negatives and their immense wealth of detail to be photographed in high resolution using a calibrated medium-format camera in order to create a neutral copy of the original. The results are first saved as files of approximately 100MB in TIFF format. Finally, special software is used to convert the negative images into positives.

Once the work is complete, the photographs will be available for historical editorial work and other projects.



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